Chandigarh Kare Aashiqui directed by Abhishek Kapoor from the opening scene is noisy, as it is set in Chandigarh and features a large number of Punjabis. So don’t be amused if you see unpleasant phrases on T-shirts or walls (T-shirt chhod personality dekh, it’s just you against you, hardest worker in the room) or people using the most colourful language anyplace.
The plot of Chandigarh Kare Aashiqui has been shrouded in secrecy since the teaser was released. The trailer provided us a hint, but the most of the information was kept hidden.
While we’re used to watching Ayushmann Khurrana embark on films on taboo issues, this time it’s Vaani Kapoor who has taken the plunge to break the sterotype. Because the film Chandigarh Kare Ashiqui does not lose sight of what it want to convey, with minor errors are overlooked.
Manvinder Munjal, also called as Manu (Ayushmann), is a fitness enthusiast who owns a gym and is preparing for an annual local tournament that he has yet to win. When Maanvi Brar (Vaani), a zumba instructor, is hired to teach lessons in his gym, everything changes. Manu, with his buff form, and Maanvi, with her glam looks, are attracted to each other right away, and the two begin a romantic and passionate relationship. Maanvi is more than just a pretty face, and Manu is left in a state of bewilderment after knowing the reality about her past.
While dealing with the tale of a trans lady and portraying it onscreen in a respectful manner, Abhishek demonstrates maturity, sensitivity, and moderation. The film attempts to break free from stereotypes without relying on cliches, something that our society has yet to accept.
Chandigarh Kare Aashiqui brings a whole new dimension to Vaani Kapoor Acting
Vaani is a true revelation in this movie. She lets Maanvi come across as someone who isn’t trying to change society’s mindset, but is definitely acting as a catalyst in bringing about a change. Bold, brave, and unapologetic about her past, she lets Maanvi come across as someone who isn’t trying to change society’s mindset, but is definitely acting as a catalyst in bringing about a change.
She’s stunning, and unlike her previous films, the focus is on her acting, conversation, and performance rather than her wardrobe.
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The onscreen chemistry between Ayushmann and Vaani is particularly appealing, as the two compliment each other in intimate sequences without being awkward.
Supratik Sen and Tushar Paranjape deserve credit for their easy-to-follow screenplay that isn’t over-the-top. Even their dialogue is lightly laced with amusement, but it does not detract from the severity of the issue.
On the song front Tumbe Te Zumba and Kheench Te Nach are your peppy party numbers, Maafi that has been sung by Ayushmann is heart breaking. The title track in the end credits makes you groove and leave the theatres with a smile on your face.
We must appreciate Ayushmann for taking up such important topics. We loved how he doesn’t shy away from potentially controversial plots. Also on some level his fans will feel it as a light hearted comedy yet something too intense, as the topic is important and requires serious discussion. This movie is a great way of starting the discussion while keeping it light enough that people don’t have to feel defensive or preached to.