March 7, 2025: Nadaaniyan Review: Bollywood’s love affair with excess is no secret, and Nadaaniyan is its latest love letter to privilege, wrapped in a glossy, over-the-top rom-com package. But beneath the designer clothes and high-society drama, the film unintentionally mirrors the absurdity of its own premise: a world where a six-pack and status outweigh intelligence and struggle. It’s an entertaining yet unintentional parody of the very tropes it embraces.
Nadaaniyan Review: A Predictable Clash of Worlds

The film follows Pia Jai Singh (Khushi Kapoor), a South Delhi socialite whose love life is dictated by social status rather than emotion. On the other side is Arjun Mehta (Ibrahim Ali Khan), a Noida boy who believes in ambition and hard work—at least, until he realizes that a shirtless moment can magically change his social standing. It’s a storyline stitched together with cliches we’ve seen before: the rich girl-poor boy dynamic, the overbearing parents, and the obligatory makeover montages.
It’s an unabashed rehash of K3G meets Student of the Year, but with less emotional weight and more TikTok aesthetics. Nadaaniyan thrives on its own predictability, playing every trope with a straight face while unintentionally highlighting the absurdity of class differences in Bollywood storytelling.
Performances: A Showcase of Potential, But Nothing Groundbreaking
Ibrahim Ali Khan’s debut is a curious one. He has screen presence and moments of charm, but the script never gives him much to work with. His best scene—a heartfelt confrontation with his father (Jugal Hansraj)—hints at promise, but is buried under the film’s insistence on style over substance.
Khushi Kapoor, in her third film, struggles against a character that is more archetype than person. She shines in a few emotional moments but never quite escapes the film’s glossy superficiality. The supporting cast—including Suniel Shetty and Mahima Chaudhry—are largely ornamental, while Dia Mirza and Jugal Hansraj remain effortlessly likable despite their underdeveloped roles.
The Verdict: A Beautifully Shot, Hollow Spectacle
Nadaaniyan never quite decides whether it’s self-aware or just oblivious to its own excess. It’s fast-paced and undeniably watchable, but it offers little more than a visually appealing, well-dressed carousel of cliches. If you enjoy mindless entertainment and can overlook the glaring logical gaps, this film might just be your next guilty pleasure. Otherwise, it’s yet another reminder that Bollywood’s obsession with wealth and privilege remains as strong as ever.